Animation Characters and Narrative - Week 3
AND142 Animation Characters and Narrative
Week 3
This post is of week 3 of the first-year animation course AND142 Animation Characters and Narrative. I am attending this course in order to aid my exploration, research and development for EXD300.
Notes
Composition
ELEMENTS of NARRATIVE
(Sets the CONSISTENCY of your film)
- Theme
- Plot
- Structure
- Characters
- Settings
- Perspective
Types of Shots
- Extreme Long Shot
- Long Shot
- Medium Shot
- Close-Up
- Very Long Shot
- Medium Long Shot
- Medium Close-Up
- Big Close-Up
- Extreme Close-Up
Film
Le coeur est un métronome (The Heart is a Metronome) by J.C. Mbotti
Rule of 180-Degree
This is the 180 line that should govern your camera movement for the scene. When you position the camera for a dialogue scene, the key is to keep the camera on one side of the imaginary axis along this straight line for the duration of the scene.
Perspective - Point of View
Order of Shots
Important for narrative (from long shot to close-up, vs from close-up to long shot).
Point of Focus in the Composition
- Rule of Thirds
- Leading Lines
- Balance
- Head / looking room
- Symmetry
Camera Movements
Film
Dinner (Food 1992) by Jan Švankmajer
Transitions
Film
The Chimney Swift by Frédéric Schuld






